David Thomson's "New Biographical Dictionary of Film "topped "Sight & Sound" magazine's 2010 poll of international critics and writers as the best film book of all time.
Now in its fifth edition, updated, and with more than 130 new entries from Judd Apatow to Lena Horne the classic, beloved film book is better than ever.
For thirty-five years, David Thomson's "Biographical Dictionary of Film" has been fiendishly seductive (Greil Marcus, "Rolling Stone"), the finest reference book ever written about movies (Graham Fuller, "Interview"), and not only an indispensable book about cinema, but one of the most absurdly ambitious literary achievements of our time (Geoff Dyer, "The Guardian"). For this edition, Thomson has brought up to date and in some case recast the biographies, and has added new ones (Clive Owen, Scarlett Johansson, Jake Gyllenhaal, and Marion Cotillard, for example). The book now includes almost 1,500 entries, some of them just a pungent paragraph, some of them several thousand words long, every one a gem.
Here is a great, rare book that encompasses the chaos of art, entertainment, money, vulgarity, and nonsense that we call the movies. Personal, opinionated, funny, daring, provocative, and passionate, it is the one book that every filmmaker and film buff must own, from the man David Hare called the most stimulating and thoughtful film critic now writing.
About the Author
David Thomson has taught film studies at Dartmouth College, has served on the selection committee for the New York Film Festival, and has been a regular contributor to "The Guardian, The Independent, The New York Times, The Nation, Movieline, The New Republic, "and "Salon. "His other books include " Have You Seen . . . ?: A Personal Introduction to 1,000 Films; Showman: The Life of David O. Selznick; "and three works of fiction: "Suspects, Silver Light, "and" Warren Beatty and Desert Eyes. "Thomson lives in San Francisco with his family."
“Thomson proves anew that he is irreplaceable . . . His monologue has blossomed into an unlikely, searching dialogue about what to value in the movies—how to love what’s come before without nostalgia, and how to find the courage to demand more from the stuff being made right now . . . Deservedly treasured . . . One of the most probing accounts ever written of a human being’s engagement with the movies.” —Sarah Kerr, The New York Times Book Review
“Delicious. One of the best and most useful books written about the movies.” —Edward Guthmann, San Francisco Chronicle
“The Dictionary is not only an indispensable book about cinema, but one of the most absurdly ambitious literary achievements of our time.” —Geoff Dyer, Sight & Sound
“A marvel . . . Eccentric, audacious, sparkling . . . Probably the greatest living film critic and historian, Thomson writes the most fun and enthralling prose about the movies since Pauline Kael.” —Benjamin Schwarz, The Atlantic
“From Abbott and Costello to Crumb’s Terry Zwigoff, David Thomson expertly caters the banquet of film history in the latest edition of this classic. One critics’ poll called it the best movie book ever; it also has some of the finest, orneriest writing in the English language.”
“Truly, maddeningly, gloriously subjective . . . Buy this book for a friend, and bask in the pleasure of knowing that you have incalculably enriched his life. Buy it for yourself, and book some quality time with one of the finest writers the story of film has ever had.”
—Saul Austerlitz, San Francisco Chronicle
“[A] mad and magnificent opus . . . Thomson is a great rhapsodist of how film acts on his, and therefore our, imagination. . . . Close viewing, and the insights that spring from rapt attention, are what Thomson’s criticism is all about. Despite its seemingly straitlaced A-to-Z format, the ‘Dictionary’ is oddball and Borgesian, finding imaginative ecstasy in its encyclopedic tendency. The book crackles with epigram while often reaching for meanings that endow familiar subjects with a new reality. . . . It’s an essential, loony, irresistible book, and scarcely a week passes when I don’t submerge myself for an hour or two in its labyrinthine marvels.”
—Richard Rayner, Los Angeles Times
“Essential . . . Razor-sharp reviews are often commentaries on both the filmmaker and the audience. . . . We’re always aware that we’re engaging with a passionate educated human being. Isn’t that more interesting and rewarding than marketing-driven Netflix summaries? Great critics are cinema’s most inspiring enthusiasts. Four stars.”
—Jeffrey Overstreet, Books & Culture
“Witty, expasive, convincing, honest, more than a little mischievous and, so often, absolutely on the money. Thomson’s voice is one of the most distinctive and enjoyable in film criticism. It leaps from the pages of this spruced up classic like flames from a bonfire. . . . Almost every page contains at least one unexpected nugget of information that you would struggle to come across by any other means. . . . However, the real value of this book lies not in facts, but in opinions. Thomson’s views are so shrewd, so exquisitely stated that, more often than not, they feel like thoughts you already held but were never quite sure how to put into words. . . In a world awash with amateur pundits, the value of a genuine expert who knows his own mind has never been higher. . . . Dip into any entry and you will find irrefutable proof that his gaze remains as sharp as ever. For as long as there are films worth writing about, Thomson’s opinions will remain worth reading.”
—Benjamin Secher, The Telegraph
“The newest edition of David Thomson’s New Biographical Dictionary of Film is 1,076 pages long. It weighs a ton. And yet, it’s almost impossible to put down.”
—The New York Observer
“Invaluable and occasionally maddening.” —Steven Rea, The Kansas City Star
“Skip the movie; read David Thomson instead. Addictive . . . his landmark work. You’ll see how erudite, generous, cheeky, elegant and fascinating Thomson’s writing is. Take any entry and it’s impossible not to want to read to the finish.” —Kyle Smith, New York Post