Written at a time of social unrest in Victorian Britain and set in London at the time of the anti-Catholic Gordon Riots, Dickens's brooding novel of mayhem and murder in the eighteenth century explores the relationship between repression and liberation in private and public life. Barnaby Rudge tells a story of individuals caught up in the mindless violence of the mob. Lord George Gordon's dangerous appeal to old religious prejudices is interwoven with the murder mystery surrounding the father of the simple-minded Barnaby. The discovery of the murderer and his involvement in the riots put Barnaby's life in jeopardy. Culminating in the terrifying destruction of Newgate prison by the rampaging hordes, the brilliant descriptions of the riots are among Dickens's most powerful. Barnaby Rudge looks forward to the dark complexities of Dickens's later novels, whose characters also seek refuge from a chaotic and unstable world. This edition includes all the original illustrations, plus an illuminating Introduction and notes.
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About the Author
Arguably one of the greatest writers of the Victorian era, Charles Dickens is the author of such literary masterpieces as A Tale of Two Cities (1859), A Christmas Carol (1843), David Copperfield (1850), and The Adventures of Oliver Twist (1839), among many others. Dickens' s indelible characters and timeless stories continue to resonate with readers around the world more than 130 years after his death. Dickens was born in 1812 and died in 1870.
Clive Hurst is head of rare books at the Bodleian Library, University of Oxford. He is coeditor of the Oxford World's Classics edition of Charles Dickens's "Barnaby Rudge".
Iain McCalman was born in Nyasaland (now Malawi) in Africa in 1947. Although a third-generation African - his family is descended in part from Australians who fought with the Australian Light Horse in the Boer War - McCalman grew up knowing he would eventually have to leave Africa. His father, a Kenyan-raised British civil servant, "was very liberal for his time," says McCalman. "He always told us European colonials were caretakers, not owners, and we'd have to go one day. It really irritated my sister and me. Africa was our home. But he never bought property, always prepared us to leave."
At around the age of sixteen he began writing: "My first publication was an article in the Rhodesia Herald on early Portuguese exploration of the lands that now include Zimbabwe." McCalman says he grew up in Africa "in a context where people around me believed in magic, and I felt sympathy with that without it penetrating my own beliefs." This, he believes, was an advantage in writing about Cagliostro's life and work.
He migrated to Australia, where he completed his BA Hons in History and MA at Canberra's Australian National University, and his PhD at Melbourne's Monash University. He has worked in many Australian and overseas universities, and has received awards for his teaching and scholarship, most recently the Federation Centenary medal in 2002. Currently President of the Australian Academy of the Humanities, McCalman became a Professor in History in 1994 and Director of the Humanities Research Centre at ANU a year later. He is currently a Federation Fellow at the ANU - one of the few humanities recipients - and will use the fellowship to research a multi-media project on the "moving picture spectacles" of 18th-century painter (and key Cagliostro enemy) Philip de Loutherborg, and a history of the impact of spectacular Australian landscapes on scientists in Darwin's age.
Iain McCalman specializes in eighteenth-century and early-nineteenth British and European cultural history and has a particular interest in popular culture and "low life."
Along with his many academic achievements, McCalman has developed an interest in the uses of other media for history and has been active in developing collaborative projects linking university-based research to the work of other cultural institutions, and recently was a historical consultant for and participant in the television series The Ship, a re-enactment of Cook's Endeavour voyage. "I had to snatch my reading during occasional interludes between climbing 140 feet up the rigging, sleeping like a fruit bat in a hammock, and crunching on hard tack biscuits and sauerkraut," he says of the journey, and admits it was a little bit "Big Brother at sea."
He is also writing a travel-book cum political memoir called The Gun in the Lake, based on his early life and experiences in Nyasaland.