Dead Souls is one of the most unusual works of nineteenth-century fiction and a devastating satire on social hypocrisy. Chichikov, a mysterious stranger, arrives in a provincial town and visits a succession of landowners to make each a strange offer. He proposes to buy the names of dead serfs still registered on the census, saving their owners from paying tax on them, and to use these “souls” as collateral to reinvent himself as a gentleman. In this ebullient masterpiece, Gogol created a grotesque gallery of human types, from the bear-like Sobakevich to the insubstantial fool Manilov, and, above all, the devilish con man Chichikov.
- In his introduction, translator and Gogol scholar Robert Maguire discusses the protracted and troubled story of the novel's composition, Gogol's narrative technique, and his place in the Russian and European literary traditions
- Includes a chronology, suggestions for further reading, appendices, glossary, map, and notes
About the Author
Nikolai Vasilevich Gogol was born in 1809; his family were small gentry of Ukrainian cossack extraction, and his father was the author of a number of plays based on Ukrainian popular tales. He attended school in Nézhin and gained a reputation for his theatrical abilities. He went to St Petersburg in 1829 and with the help of a friend gained a post in one of the government ministries. Gogol was introduced to Zhukovsky, the romantic poet, and to Pushkin, and with the publication of Evenings on a Farm near Dikanka(1831) he had an entrée to all the leading literary salons. He even managed for a short period to be Professor of History at the University of St. Petersburg (1834-5).
Diary of a Madman and The Story of the Quarrel between Ivan Ivanovich and Ivan Nikiforovich appeared in 1934, The Nose in 1836, and The Overcoat in 1842. Gogol also wrote the play The Inspector (1836), Dead Souls (1842), and several moralizing essays defending the Tsarist regime, to the horror of his liberal and radical friends. He lived a great deal abroad, mostly in Rome, and in his last years became increasingly prey to religious mania and despair. He made a pilgrimage to Jerusalem in 1848, but was bitterly disappointed in the lack of feeling that the journey kindled. He returned to Russia and fell under the influence of a spiritual director who told him to destroy his writings as they were sinful. He burned the second part of Dead Souls, and died in 1852 after subjecting himself to a severe regime of fasting.
Praise for Dead Souls…
Gogol was a strange creature, but then genius is always strange. (Vladimir Nabokov)"