Indie Next ListFebruary 2013
Lina, a young, ambitious New York attorney in 2004, never knew her mother. Josephine, a young house slave in 1852, never knew her child. More than a century apart, their lives connect in unexpected ways. Corporate law offices, art museums, antebellum homes, and the Underground Railroad provide the setting for a story filled with secrets, betrayals, and love. Does the ‘House Girl’ title apply to both women? The paths of these strong women will have the reader marveling at the layers Conklin has created to tell their intertwined stories. -- Beverly Bauer, Redbery Books, Cable, WI
Virginia, 1852. Seventeen-year-old Josephine Bell decides to run from the failing tobacco farm where she is a slave and nurse to her ailing mistress, the aspiring artist Lu Anne Bell. New York City, 2004. Lina Sparrow, an ambitious first-year associate in an elite law firm, is given a difficult, highly sensitive assignment that could make her career: she must find the perfect plaintiff to lead a historic class-action lawsuit worth trillions of dollars in reparations for descendants of American slaves.
It is through her father, the renowned artist Oscar Sparrow, that Lina discovers Josephine Bell and a controversy roiling the art world: are the iconic paintings long ascribed to Lu Anne Bell really the work of her house slave, Josephine? A descendant of Josephines would be the perfect face for the reparations lawsuitif Lina can find one. While following the runaway girls faint trail through old letters and plantation records, Lina finds herself questioning her own family history and the secrets that her father has never revealed: How did Linas mother die? And why will he never speak about her?
Moving between antebellum Virginia and modern-day New York, this searing, suspenseful and heartbreaking tale of art and history, love and secrets, explores what it means to repair a wrong and asks whether truth is sometimes more important than justice.
Praise for The House Girl…
“Tara Conklin’s wise, stirring and assured debut tells the story of two extraordinary women, living a century apart, but joined by their ferocity of spirit. From page one, I fell under the spell of THE HOUSE GIRL’s sensuous prose and was frantically turning pages until its thrilling conclusion.”
-Maria Semple, author of Where'd You Go, Bernadette
“The House Girl is a heartbreaking, heartwarming novel, ambitious, beautifully told, and elegantly crafted. Tara Conklin negotiates great vast swaths of time and tribulation, character and place, with grace, insight, and, simply, love.”
-Laurie Frankel, author of Goodbye for Now and The Atlas of Love
“THE HOUSE GIRL is an enthralling story of identity and social justice told through the eyes of two indomitable women, one a slave and the other a modern-day attorney, determined to define themselves on their own terms.”
-Hillary Jordan, author of Mudbound and When She Woke
“There’s so much to admire in THE HOUSE GIRL -- two richly imagined heroines, two fully realized worlds, a deeply satisfying plot -- but what made me stand up and cheer was the moral complexity of these characters and the situations they face. I’m grateful for this transporting novel.”
-Margot Livesey, New York Times bestselling author of The Flight of Gemma Hardy
“THE HOUSE GIRL stands as both a literary memorial to the hundreds of thousands of slaves once exploited in the American South and a mellifluous meditation on the mysterious bonds of family, the hopes and sorrows of human existence, and the timeless quest for freedom.”
-Corban Addison, author of A Walk Across the Sun
“Tara Conklin’s powerful debut novel is a literary page-turner filled with history, lost love, and buried family secrets. Conklin masterfully interweaves the stories of two women across time, all while asking us to contemplate the nature of truth and justice in America.”
-Amy Greene, author of Bloodroot