When private investigator Tess Monaghan literally runs into the crew of a fledgling TV series while sculling, she expects sharp words and evil looks, not an assignment. But the company has been plagued by a series of disturbing incidents since their arrival on location in Baltimore. Worried for the safety of the young female lead, they ask Tess to serve as her bodyguard/babysitter. In the past, Tess has had enough trouble guarding her own body; keeping a spoiled movie princess under wraps may be more than she can handle. But the fish-out-of-water p.i. is abruptly pulled back in by an occurrence she's all too familiar with murder. Suddenly the wall of secrets is in danger of toppling, leaving shattered dreams, careers, and lives scattered among the ruins a catastrophe that threatens the people Tess cares about and the city she loves.
About the Author
Since Laura Lippman's debut in 1997, she has been heralded for thoughtful, timely crime novels set in her beloved hometown of Baltimore. Now a perennial New York Times bestseller, she lives in Baltimore and New Orleans with her family.
Like lunch at Atwater’s, Tess’s latest leaves you fully satisfied but looking forward to next time
“Lippman is incapable of writing an un-compelling mystery,”
“Tess--funny, smart, empathetic as hell, and a colorful, irreverent storyteller makes a wonderful companion for this tale, in which disturbing vandalism and a stalker are just the harbingers of much worse problems,”
“A juicy whodunit.”
“After last year’s acclaimed What the Dead Know, Lippman is back on home turf with the 10th installment of her popular series about Baltimore P.I. Tess Monaghan.”
[a] welcome addition to Tess Monaghan’s adventures and an insightful look at the desperation that drives those grasping for a shot at fame and those who will do anything to keep it.
-San Francisco Chronicle
You get everything in this book. There’s a really good mystery which is almost secondary to the interaction of the characters - Hollywood’s penchant for confusing illusion and reality is beautifully done - and the witty dialogue, full of smart film references, is totally believable.
-Toronto Globe and Mail